Blythe Plenderleith examines the quite tensions of social memory. The symbiotic relationship between community spirit and its darker underbelly runs throughout her work showcasing a fascination with certain modes of behaviour whether preconceived, sentimental, or challenging a societal perception that is considered standard. Probing the ambivalence in themes such as tradition and improvement, Plenderleith often questions small town living whilst paying tribute to its historical matrix; necessity is the mother of all invention. Observing the oversimplified, Plenderleith reevaluates familiar, historical, religious and domestic icons and reframes them to provide space for conversation and debate - including discourse that may not be popular opinion - probing preconceived judgements and immediate response.

Blythe Plenderleith (b.1998) studied BA Hons Sculpture and Environmental Art at the Glasgow School of Art. Awarded the RCA Cass Scholarship for an MA in Sculpture, Plenderleith became one of the youngest students to gain entry to the Royal College of Art via a full scholarship. It was whilst at the RCA, she also gained a distinction for her thesis examining notions of perfection and making-do. Since graduating in 2023, Plenderleith has continued to gain recognition and awards such as winning the Under 26 Alan Davidson Award at the 6th John Ruskin Prize chosen by Cornelia Parker and Bob and Roberta Smith and the recipient of the Fleming-Wyfold Award for best draughtsman at the RSA New Contemporaries. Post-graduation, she has also been shortlisted for notable accolades including New Contemporaries, the Hari Art Prize, ACS Studio Art Prize and longlisted for Art Evol x Saatchi Gallery.

Contact

blytheplenderleith@gmail.com